Category: Copywriting

  • How I use AI in my creation process

    How I use AI in my creation process

    The AI slop on my feeds is getting out of hand. And I’m talking about uninspired trash that almost no human touched. Take YouTube for example: recently I was on the hunt for sound effects and the top results were AI generated videos with non-matching SFX on them. 1 word: horrible.

    That being said, I’m not against using AI when creating content. The truth is, I’m an avid user of AI myself. The difference? Intention and craft. There is a time and place to use AI, in my opinion. So let me walk you through how I use AI as a tool, not a shortcut in my creation process.

    1. Concept visuals

    Before AI, I used to spend tons of time in the concepting phase looking for the perfect images to visualize my concepts. Thanks to AI, I cut down on time for that part of the process, which I now spend on refining my concepts even more. A win-win, if you ask me.

    Another thing I recently started experimenting with is AI workflows. This allows you to combine multiple AI models together in one. I use it to go from a loose concept to a full-on video storyboard in no time.

    2. Text

    After writing my copy, I use AI as a proof reader. Having an extra set of eyes on your copy never hurts and the fact that I can now quickly get feedback on basic grammar and spelling is perfect.

    Claude

    3. Photography

    In Lightroom, I use the occasional AI feature to enhance my photos, primarily focussing on the AI masking options. I still prefer to do the heavy lifting myself when it comes to editing and color grading my pics, instead of letting AI do the creative work.

    On top of that, when a pic isn’t framed ideally, I like to use generative fill in Photoshop to solve that problem.

    4. Graphic design

    Yes, AI does have its place in the design process, but you need to be strategic about it. The main way I use it, is when a design calls for a more fantastical approach. Like putting a car in a futuristic setting. Generating those types of background in Nano Banana or Midjourney works like a charm.

    But whenever a design requires a realistic, human approach, I try to steer clear from AI. Viewers aren’t dumb and can spot AI from a mile away, so this is the perfect example of when you shouldn’t be using it.

    5. Videography

    I’m definitely still in the learning phase when it comes to videography. And lighting is one area where I still have room to grow. So I use conversational AI like ChatGPT or Gemini as my gaffer, by simply asking how to place my lights to get the end result I’m after. This way I can quickly start shooting, while also learning how to tackle lighting correctly in the future.

    6. Editing

    When editing in Premiere Pro or After Effects, I use AI to get rid of distracting elements in my video. Meaning generative fill (in Photoshop) if that part of the video isn’t moving, or Runway/Kling when that distracting element is a dynamic part of the video. I apply the same method if the framing of my video isn’t quite there. Or if I don’t have enough footage, I have used Runway or Kling to animate one of the many pictures I did take.

    Within Premiere Pro, I also use the voice enhance feature to enhance the dialogues and voiceovers I record for my videos.

    And lastly, I’m a big fan of the speech-to-text feature that both Premiere Pro and Capcut have. It makes adding subtitles quite an easy task.

    Voice enhancer in Premiere Pro

    7. Voiceovers

    Gone are the days that adding voiceovers to your work is a costly process for which you have to cast actors. I’ve both used HeyGen and ElevenLabs to add voiceovers to my work. Of course, you do need to do some finetuning to get the tone-of-voice just right. But even that part of the process has become so much easier as the tools evolve by the minute.

    So yeah, I’m not against using AI in content creation. But I use it to enhance my process, not to replace my creative input. AI allows me to work smarter and faster, but the creative decisions, the concepts and final touches are mine. And that’s exactly what seperates good content from AI slop.

    Want more of my creative input? Check out my recent videography adventure in which I filmed a cheesecake disaster.

  • A stand-out streaming pack for Telenet

    A stand-out streaming pack for Telenet

    In this day and age of streaming, you have to stand out when promoting your streaming pack. That’s exactly the approach we took when advertising Telenet’s Netflix & Streamz combo.

    For the second year in a row, Telenet did a mash-up commercial where both streaming services came together. Think Nonkels’ Rik Verheye and Chantal’s Maaike Cafmeyer in Squid Game. We got the task to translate that to the consideration and conversion phases for display and social.

    Copy wise I focused on highlighting the perks of this combo: access to a library of international toppers AND local tv series at a low price, combining it here and there with some West-Vloams for some extra fun. We combine that with stunning visuals of both actors in Squid Game gear. And there you go, the perfect translation of the above-the-line campaign to digital.

  • Leveraging AI for BASE

    Leveraging AI for BASE

    Remember those days when a client asked you to come up with something visually refreshing with the same old tired visual database? And you probably got completely stumped by the thought of using that one visual for the tenth time?

    Well, that was exactly the conundrum we were in for telco client BASE. And let’s face it, it’s a reality we all get confronted with at some stage of our advertising career. Well, I know I have been in that pickle at least once or twice before. Money’s tight and so are client budgets. But still a client loves to see something new and fresh. 

    We surpassed this conundrum by levering the power of artificial intelligence. The idea was simple. Bring forward the wow-factor of the low prices telco player BASE were offering. To get that across we used a combination of Runway, OpenArt and Midjourney. With these tools we altered the images from said database and brought them to live for display, social media & online video. By combining it with powerful copy, we really brought it home.

    Like I said, I’ve been down this road before with other clients. Definitely check out my work for Nissan, as we also used a lot of generative AI to expand on their visual database.
  • Burning questions for BNP’s Young Talent Awards

    Burning questions for BNP’s Young Talent Awards

    With the Young Talent Awards BNP Paribas Fortis celebrates young filmmakers. And for the 2024 edition the brand wanted to focus on short form content, as that really appeals to their target audience. They came to us for support on just that.

    My part? I came up with the concept and script of one of those short form vids in the teasing phase: a video where we asked the nominees some burning movie questions. A fun little project that was nice to see come to live.

  • Challenging the energy market with Pixie by TotalEnergies

    Challenging the energy market with Pixie by TotalEnergies

    The energy market in Belgium is a tricky one. With their budget energy package, Pixie, TotalEnergies wanted to go all in on a challenger tone-of-voice and look and feel. They asked, we delivered.

    Price and an all-digital product were the two USPs we highlighted in this campaign, both visually and textually. Language wise, I opted for nononsense and direct, to stay close to the young target audience for this package.

    On top of that, I also worked on bringing the campaign images to life with AI in Luma.

  • Taking it OnShore with content marketing

    Taking it OnShore with content marketing

    If there is something that typically gets outsourced abroad in the advertising world, it’s production. Too expensive, not efficient, … All reasons to take your production off shore. But as a brand you’re risking a disconnect in culture, language and your carefully crafted brief. That’s where OnShore comes in, a fully independent digital production studio based in Belgium.

    Building a Belgian production studio from scratch isn’t an easy task. To me,  content marketing is a powerful tool to build rapport in this situation. For OnShore, I came up with a long term content strategy, all based on building trust for the brand. Alongside content strategy, I also did content creation and (motion) design. Below you can find some of my posts: